The Notebook

The Notebook Review

The Notebook Feature

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

When you consider that old-fashioned tearjerkers are an endangered species in Hollywood, a movie like The Notebook can be embraced without apology. Yes, it's syrupy sweet and clogged with clichés, and one can only marvel at the irony of Nick Cassavetes directing a weeper that his late father John--whose own films were devoid of saccharine sentiment--would have sneered at. Still, this touchingly impassioned and great-looking adaptation of the popular Nicholas Sparks novel has much to recommend, including appealing young costars (Ryan Gosling and Rachel McAdams) and appealing old costars (James Garner and Gena Rowlands, the director's mother) playing the same loving couple in (respectively) early 1940s and present-day North Carolina. He was poor, she was rich, and you can guess the rest; decades later, he's unabashedly devoted, and she's drifting into the memory-loss of senile dementia. How their love endured is the story preserved in the titular notebook that he reads to her in their twilight years. The movie's open to ridicule, but as a delicate tearjerker it works just fine.Message in a Bottle and A Walk to Remember were also based on Sparks novels, suggesting a triple-feature that hopeless romantics will cherish. --Jeff Shannon Behind every great love is a great story. Two teenagers from opposite sides of the tracks fall in love during one summer together, but are tragically forced apart. When they reunite 7 years later, their passionate romance is rekindled, forcing one of them to choose between true love and class order.

Beauty and the Beast (Three-Disc Diamond Edition Blu-ray/DVD Combo in DVD Packaging)

Beauty and the Beast (Three-Disc Diamond Edition Blu-ray/DVD Combo in DVD Packaging) Review

Beauty and the Beast (Three-Disc Diamond Edition Blu-ray/DVD Combo in DVD Packaging) Feature

• One of the most acclaimed and treasured animated films of all time is about to sweep you off your feet. Follow the adventures of Belle, a bright young woman who finds herself in the castle of a prince who's been turned into a mysterious beast. With the help of the castle's enchanted staff, Belle soon learns the most important lesson of all -- that true beauty comes from within. An all-new digital

The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke --This text refers to an out of print or unavailable edition of this title. Acclaimed and treasured like no other, Disney's beloved modern classic, the first animated feature film in the history of the Oscars® nominated for Best Picture (1991), is brilliantly transformed to a new level of entertainment through the magic of Blu-ray™ High Definition. The music you'll never forget, the characters who will fill your heart and the magical adventure about finding beauty within all come to spectacular life in Blu-ray. Plus, all-new, immersive bonus features will transport you even further into Belle's enchanted world. So be our guest and join the beloved, independent Belle and the Beast with the soul of a prince as they cast an enchanting spell like never before.

Warner Home Video Western Classics Collection (Escape from Fort Bravo / Many Rivers to Cross / Cimarron 1960 / The Law and Jake Wade / Saddle the Wind / The Stalking Moon)

Warner Home Video Western Classics Collection (Escape from Fort Bravo / Many Rivers to Cross / Cimarron 1960 / The Law and Jake Wade / Saddle the Wind / The Stalking Moon) Review

Warner Home Video Western Classics Collection (Escape from Fort Bravo / Many Rivers to Cross / Cimarron 1960 / The Law and Jake Wade / Saddle the Wind / The Stalking Moon) Feature

• Includes the following titles: Escape from Fort Bravo (1954) Many Rivers To Cross (1955) Cimarron (1960 Remake) The Law and Jake Wade (1958) Saddle The Wind (1959) The Stalking Moon (1958) Format: DVD MOVIE Genre: WESTERN Rating: NR Age: 883929011728 UPC: 883929011728 Manufacturer No: 1000037389

There's plenty in this set for Western fans to enjoy, but let's note that none of these movies rises to the classic status the box title claims. If the term "Western classic" is to mean anything--and it should--it has to be reserved for the likes of Stagecoach, The Naked Spur, Seven Men from Now, and Unforgiven. What we have here are half a dozen pictures that came out in mid–20th century, have recognizable professionals going about their business, and agreeably remind us of how they made 'em before they stopped makin' 'em the way they used to. And for a pleasant weekend's viewing, that'll do nicely. The Civil War–era Escape from Fort Bravo (1953), the first of director John Sturges's many Westerns, has flint-hard U.S. Cavalry officer William Holden riding herd on Confederate POWs in Arizona. Once Holden has fallen for his colonel's daughter's best friend Eleanor Parker, who's also secretly the fiancée of Rebel officer John Forsythe, the film itself is allowed to escape Fort Bravo and echo off the walls of some picturesque canyons well-supplied with hostile Indians. Sturges had a good eye for staging action, and the big climax involves a kind of Apache Agincourt, a patiently lethal military tactic on the part of the Mescaleros. Cameraman Robert L. Surtees was forced to abandon Technicolor for Ansco color, which has a pleasing palette for standard scenes but tends to go greenish and speckly in desert longshots. This was MGM's first production in modest widescreen (1.77:1), which your flat-screen TV may shave a mite. The other five films in the set, all full CinemaScope (2.35:1), look fine.

The Law and Jake Wade (1958) is another Sturges-Surtees picture, one of three vehicles for fading MGM star Robert Taylor. He's a reformed outlaw turned town marshal who springs former partner Richard Widmark from jail, thereby paying off an old debt. But as Widmark sees it, they still have unfinished business, best settled by dragging Taylor and fiancée Patricia Owens off to a ghost town haunted by old guilt and savage Indians. As a journey Western, the movie pales alongside the great Budd Boetticher films of the same era, but the felonious traveling companions include Henry Silva, Robert Middleton, and DeForest Kelley, and the derelict town and its Boot Hill make a memorable killing ground. The credits of Saddle the Wind (1958) feature two unlikely names to be connected with a Western: the script is by Rod Serling (pre–Twilight Zone), and the wind in need of saddling is personified by John Cassavetes, doing an 1860s variation on a 1950s juvenile delinquent. He's kid brother to Robert Taylor, an ex-gunfighter who's turned rancher with the blessing of range baron Donald Crisp. The peace of their valley is variously threatened by gunman Charles McGraw, an extended family of squatters (headed by Royal Dano in anguished righteousness mode), and most of all the volatile, gun-happy Cassavetes. Saddle the Wind turns out to be something of a discovery, thanks to Serling's metaphor-rich dialogue and intriguingly oblique direction by Robert Parrish. There's some facile '50s-TV psychologizing, but mood trumps plot, and the inevitable showdown takes a surprising turn. Plus it never hurts to have Julie London around to gaze soulfully and sing the title song.

The final Robert Taylor item, Many Rivers to Cross (1955), is the one out-and-out clinker in the bunch, an excruciating attempt at frontier comedy largely set against painted vistas à la Seven Brides for Seven Brothers. As it happens, both films were produced by Jack Cummings, a veteran of MGM musicals--only this is no musical, and the ill-cast Taylor seems poleaxed as free-living vagabond Bushrod Gentry (a rascal role that cries out for Kirk Douglas or Burt Lancaster). Eleanor Parker is fun as the fire-haired "she-fiend" who sets her cap for Bushrod, but really only James Arness hits the right note in a too-brief appearance about an hour in. Master Western director Anthony Mann is credited with Cimarron, the 1960 remake of the 1931 Academy Award winner. However, Mann left in mid-production ("creative differences"), and the movie seems more typical of the MGM contract director who took over, Charles Walters. Edna Ferber's novel of pioneer Oklahoma offers a plethora of themes--several species of prejudice, capitalism vs. charity, sons unhappily following in fathers' footsteps, and the irreconcilable tensions between a stability-craving wife and her footloose husband--but the action is front-loaded and the husband, Glenn Ford, is offscreen for years at a time. Most of the large cast comes and goes without establishing identities, and Maria Schell's Sabra Cravat is tiresome as both ditz and pill. However, the Oklahoma land rush gives grand spectacle. That leaves The Stalking Moon (1969), an odd-film-out since it's the only non-MGM production in the set and a decade more recent than the rest. Gregory Peck plays a scout trying to protect a white woman (Eva Marie Saint) and her half-breed son from an Apache warrior, the woman's captor-husband of ten years. The mostly unseen Apache is a veritable monster of determination, cunning, and bloodthirstiness: Peck and his charges doom entire Southwest communities to extermination just by passing through the neighborhood. This fierce amalgam of Western and horror movie was the last of seven collaborations between director Robert Mulligan and producer Alan J. Pakula--a distant cousin of their To Kill a Mockingbird. As a palm-sweater it's demonically effective, and fascinating as prelude to the great paranoid trilogy Pakula went on to direct, Klute, The Parallax View, and All the President's Men. Robert Forster has an early role as a fellow, part-Indian scout. --Richard T. Jameson WARNER HOME VIDEO WESTERN CLASSICS CO - DVD Movie

Timeless Tales: Goldilocks and the Three Bears

Timeless Tales: Goldilocks and the Three Bears Review

In a twist on the classic fairy tale, Goldilocks discovers the forest home of three bears and they become friends. While attending a circus, Goldilocks is horrified to see the bears in chains and helps them escape to return to their home in the forest.

Thomas & Friends: The Great Discovery

Thomas & Friends: The Great Discovery Review

Thomas & Friends: The Great Discovery Feature

• The Great Discovery of abandoned mines and new friends
• Named a 2009 Oppenheim Toy Portfolio Platinum Award Winner
• Interactive engines and destinations
• Complete 35 piece set
• Suitable for ages three and up

Thomas the Tank Engine stars in an all-new movie guest starring Pierce Brosnan as the narrator! Sodor Day is coming and all the engines are busy preparing. When Thomas gets lost in the mountains, he discovers the old town of Great Waterton! Soon the whole island is buzzing with the news of Thomas' discovery and restoring the town in time for the big day. Join the fun and meet a new engine friend named Stanley!

Welcome Home Roscoe Jenkins (Widescreen)

Welcome Home Roscoe Jenkins (Widescreen) Review

Martin Lawrence leads an all-star cast, including Cedric the Entertainer, Mo'Nique, and Mike Epps, in the hit comedy Welcome Home Roscoe Jenkins. When a celebrated TV show host (Lawrence) returns to his hometown in the South, his family is there to remind him that going home is no vacation! It's one outrageous predicament after another when big-city attitude and small-town values collide in this hysterical comedy critics are praising for its "over-the-top hilarity!" (Roger Moore, Orlando Sentinel)

6-Film Holiday Collector's Set V.3 Bonus Audio(MP3): Home for the Holidays

6-Film Holiday Collector's Set V.3 Bonus Audio(MP3): Home for the Holidays Review

A Family Thanksgiving
Claudia is a workaholic who has put everything else on the backburner. But with a little bit of magic, she'll realize what she's been missing.

I'll Be Home for Christmas
A small community must convince its hometown hero to fill the position of local doctor...or risk losing the hospital.

Borrowed Hearts
A powerful businessman learns to open his heart to the greatest gifts of all—love and family.

Music of the Heart
Even after a decade of success stories teaching music to inner-city youth, Roberta Guaspari finds her violin program may be cut.

A Christmas Without Snow
A recently divorced mother moves to snowless San Francisco for a fresh start.

A Child's Christmas in Wales
A grandfather shares his heartwarming memories with his grandson, recalling—and also reliving—his cherished youth.

Includes Bonus Digital Audio(MP3)